Posts Tagged ‘product design’

pilgrimage to pencil to pixel

Wednesday, December 12th, 2012

 

Monotoype UK recently staged Pencil to Pixel: a small-but-perfectly-formed exhibition about the development of typeface production—well worth the minor trek to its slightly off-grid Wapping location.

The decades of change between hot metal and digital production could easily make you overlook the extent of labour and craft that is still involved in bringing type to use. Type may be surface design but it has more in common with furniture or other product design in its mix of essential functional and aesthetic requirements than with most of the graphic design it serves. The sheer beauty of the pencil-drawn curves of pre-digital type masters is something I had seen before but almost forgotten. In the exhibition the evidence of mid-20th century type impressed most, the physically less present display of digital era work on show suffering by comparison: pencils 1, pixels 0. Anyhoo—all of it is better seen than waffled on about. Below are some snaps of things that caught my eye:

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clean Windows & fresh air

Tuesday, February 7th, 2012

Nokia Lumia Windows phone (photographed badly on an iPhone)

Jonathan Ive’s tenure at Apple has produced a long, successful sequence of product design revolutions leading to the touchscreen interface. It is now so dominant that physical design is arguably being usurped by graphic design as the driver of functionality. Apple’s record in graphics is mostly strong (I always liked their instruction booklets) but recently they seem less sure-footed.

iTunes is much harder work than it used to be (and its ‘new logo’ was widely disliked); the iCal leather / stitching effects are retro and retrograde. Even the ‘candy box’ iPhone / iPad apps homescreens, once fresh and friendly now seem more irritating than helpful. The iPhone remains a beautiful piece of work (even if its most impressive features – like the beautifully machined, spookily high-tolerance sim card tray – are hidden from view by the bumper required for practical everyday operation), but sentimental airbrush effects are starting to make Apple products seem behind the curve for the first time. This was thrown into sharp relief for me by the wife’s new Nokia Lumia 800 Windows phone (purchased against my sage advice of course. Wrong again, dammit.). The product design (above) is restrained and elegant and there is a crisp customisable tile-based interface with simple, elegant animations and well-structured, spare typography using Monotype’s Segoe WP typeface. I’m envious of a non-Apple product for the first time in… ever. This is good news – competition raises the game and there is no reason why Apple must have a monopoly on good design. The Windows phone has let in some UI fresh air and is making Apple look just a bit… stuffy.

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product, Paolozzi & Prima: David Keech on design & music

Monday, April 26th, 2010

Multidisciplinary designer, musician and teacher David Keech was an Associate with architects Foster and Partners, the first non-Japanese designer at Yamaha Design in Japan, and now runs his own product and interior design practise, Keechdesign.

Kumu chair by David Keech with James Johnson. A Japanese word meaning to join together or assemble, Kumu has only five components, no screws or mechanical fixings and is cut from a single sheet of plywood.

What inspires you? Everything.  That’s a serious answer – not just design.  Only a small percentage of my inspiration comes from that world, a very congested one, everyone following each other – I think it’s good not to be too involved in that.  I probably get more of my inspiration from sculpture, fine art, music, popular culture, than design per se. I spend a lot of time and energy pursuing inspiration, it’s a big part of what I do.  In teaching I kick off with slides about inspiration to surprise students a bit, not work by Phillippe Starck or Arne Jacobsen (much as I love them both)… I was at the National Gallery yesterday looking mainly at pre-17th century religious paintings, and I just thought to myself ‘this is fuel’.  It’s profound, the human energy involved – let alone the skill.  If you could get to half that level, you’d be going some…

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plugged

Wednesday, March 17th, 2010

© DC Thompson

Hats off to RCA graduate Min-kyu Choi, who has won the Brit Insurance Design of the Year Award.

The award – a slightly weird exercise in comparing apples with oranges (if not bananas, guava, macadamia nuts and kiwi fruit) – last year favoured Shepard Fairey’s Obama poster and this year pitted the late great Alexander McQueen’s spring/summer collection, a light aircraft and a social housing project against Mr Choi’s clever folding plug design.  Anyone travelling any distance with a thin laptop will appreciate the value of his elegant solution to the problem of the ugly bulk of the UK plug when travelling. The new plug, which folds to 1cm or less, may not save lives but solves a daily irritation for potentially millions of people.  Amazing a) that no-one did this sooner and b) that it is not in production already.  We may now have to put up with endless ‘plugging the market gap’ headlines, but Min-kyu Choi deserves the success that will surely result from his clarity of thought and keen eye for a missed opportunity. Demos here and here.

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