Posts Tagged ‘illustration’

internship building

Monday, June 11th, 2012

Excited D&AD 2012 graduate Student Award nominees pose for photographers as ravenous creative agency heads look on, drooling.

Working for nothing is now a prerequisite for a career in graphic design. The creative industries think little of helping themselves to the best of the year’s graduate brains for nowt in return – some travel expenses if you are lucky, maybe even a ‘gift’, for the most fortunate of all even something called a ‘job’. Apparently this is fine. For agencies and successful graduates, internships really work. For thousands of others? I did wonder how we came to so vigorously embrace this exploitative state of affairs. Then I remembered that this was how I got started.

I am about eight years old. Some people are still looking at large black & white TV sets, not everyone has fixed line telephones and none have mobile communicators, which are barely a gleam in Gene Rodenberry’s eye. I am not sent to work up chimneys, nor live in a workhouse, but at this point in history mothers do still turf their sprogs out to explore the world after breakfast and neither know nor possibly care where they are until they (usually) return at tea-time. On such a day out I stumble across the local museum, a four-storey Edwardian house and universe of its own where live exhibits (newts! frogs! mice!) share space with static displays of gin traps, roman coins and methodically skewered moth corpses. (more…)

the g of the bang

Saturday, November 5th, 2011

Back in nineteen-seventy-when? a young me wrote to the Astra Fireworks Company for some samples of their firework labels – the examples here are from the collectionette I received by return. Within a few years, the postwar explosion of richly decorated British firework packaging had suddenly fizzled out and most firework production had reverted to its original source, China.

Now our fireworks are designed to appeal to the Michael Bay generation, named ‘Street Legal’,  ‘Air Strike’, ‘Big Bad Dangerez’ (whatever that means) and so on, their packaging fit only to be viewed in the dark. UK ‘Bonfire Night’ never went away but got transformed into two weeks of shock & awe nervously monitored by the Noise Abatement and Dead Pets’ Societies. Thanks to Health & Safety we must now ‘stand well back and be well amazed’. As if looking at the TV, watching Baghdad burn.

Remember Remember is a wonderful exhibition in conjunction with The Museum of British Folklore at stately Warwickshire art gallery Compton Verney (past events include The Tulse Luper Suitcases) that vividly reminded me of what we have lost. Revisiting fire festivals going back centuries, the exhibition also focuses in delightful detail on post-war packaging & presentation of fireworks in Britain. Names like ‘Martian Ray’, ‘Barrel of Imps’ and ‘Mine of Serpents’ evoke a more innocent time. Simple designs, largely by semi-skilled employees rather than designers, printed in limited colour have all the character, wit and fun of what used to be a thrilling, intimate and accessible celebration of darkness, fire & sausage rolls.

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book review: Marian Bantjes’ ‘I Wonder’

Tuesday, October 26th, 2010

 

I wrote on this blog some while back that I feared we were losing the art of decoration, in passing referring to Marian Bantjes as bucking that trend. With the publication of I Wonder she has singlehandedly rescued ornament & craft from untimely demise at the hands of modernist graphic design.

For those unfamiliar, Marian Bantjes is a Canadian illustrator/typographer/designer (there is no appropriate single word) living near Vancouver who after a decade in book typography and production reinvented her career to a extraordinary degree. She is a kind of missing link between contemporary design and the rich decorative craft traditions of the religious world(s). Her work is entirely secular but there is a strong sense of devotion in it, and she has a gift for creating something something truly extraordinary—spiritual even—from the most unpromising materials or observations.

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of biscuits and Bidies: Anna Steinberg interview

Friday, June 25th, 2010

An illustrator, teacher and member of the editorial board of award-winning contemporary illustration magazine Varoom, Anna Steinberg creates beautifully drawn, witty and thoughtful images, some of which were recently selected for Images – Best of British Illustration and the London Transport Museum/AOI Cycling in London competitions. In this email interview she reveals the significance to her work of ingenuity, mountains, biscuits & old Bidies

How do you work?
With professional commissions I usually problem-solve in words first and then develop through doodles into resolved pictures. With personal work I do visual experiments and it emerges more spontaneously.

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a conversation with Cathie Felstead

Wednesday, April 14th, 2010

Award-winning illustrator and creator of book covers for novels by William Golding, Iris Murdoch, Isabel Allende and Alice Walker, Cathie Felstead has illustrated numerous childrens’ books and worked for big-name clients like British Airways, Channel 4, Ballet Rambert and Oxfam.  An RCA graduate, she also teaches final year Illustration at University of Hertfordshire.  She talks here about inspiration, deadlines, Angela Carter, Industrial design, Cheryl Cole and Arsenal Football Club…

Do you think you have a particular approach to illustration? There is a difference between the work I do for clients and my own work.  My approach to work for clients is quite businesslike: I get a script, look through it and see if there is something interesting about it… (a good fee can make the dullest script more interesting!).  The starting point of an advertising job can be less engaging, and more of a challenge.  Books and editorial work are generally more inspirational and better suited to my approach…

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